Sunday, March 25, 2018

Storytelling Critique: This Is Bears Ears


            For this assignment, I chose to look at Patagonia Action Work’s efforts to block the Trump administration from declassifying the Bears Ears and Grand Staircase-Escalante National Monument areas in Utah. President Obama had designated Bears Ears a national monument in the last days of his presidency (Grand Staircase dates back to the Clinton years) after months of conflict between tribes and local residents over the fate of the area. In December of 2017, President Trump signed an executive order shrinking the federal protections of the lands by about 84 percent—the largest elimination of such lands in American history.
            This action by the federal government represents a potential overreach of executive authority. Under the Antiquities Act, which has been in place since 1906, the president has the clear and directive authority to designate lands as national monuments. However, the law does not outline a path for declassification, and no president has ever tried. In the wake of President Trump’s actions against the Utah monuments—actions which angered a coalition of tribes who have used the lands for hundreds of years—Patagonia and their environmental activist branch, Patagonia Action Works, launched This Is Bears Ears, a campaign and a lawsuit against the president and Interior Secretary Ryan Zinke, arguing that the administration had engaged in executive overreach. The campaign is rich with narratives from locals and activists, and they paint a picture of just how much danger the now-exposed areas are in and what they mean to the tribes and residents who have held them in sacred regard for so long.



The stories are told in a series of short video clips, grouped together by category: culture, exploration, sport, etc. In each clip, the narrator speaks for him or herself; the clip I have selected is of Luke, a trail runner who trains on the rugged and zigzagging trails in the Bears Ears area. Like each of the subjects in these clips, Luke is presented in a victim role. Without protections afforded by the federal government, Bears Ears and the trails he runs on could be used for economic development (oil drilling, mining, etc.). While Luke’s story is valuable, I think the main purpose it serves is as an emphasis on the larger implications of rescinding protections for these areas, underscoring the reality that these lands are sacred in many different ways and for many different types of people.
Thinking about this campaign in the context of the six foundational values laid out by Matthews et al. (2016), the obvious connection is the care/harm value. Caring for the land is ensuring its protection, and harming the land, as the president is doing, is contributing to its destruction. Additionally, sanctity/degradation, liberty/oppression and even authority/subversion is evident in this narrative. Each of these are effective in their contribution to the larger narrative because they do a good job of placing Luke, the victim, in the role of the fighter. He has something worth saving and he wants people—us—to help him because it should matter to them to. Without support, the actions of the villain, Trump, will in some way impact all of us because they are being carried out upon public lands.
When placed in the larger scope of this campaign, this story and the stories like it absolutely add depth and meaning to Patagonia’s overall narrative. The call to action is not a direct part of the video narrative but is included in the main website and is easy to navigate to from each video. Overall, Patagonia has built a compelling and structured case against the president that will continue to inspire and motivate individuals to get involved and work to reinstate the protections of these public lands. The overall message—“the president stole your land—personalizes it. The stories that Patagonia has told and are still telling humanize the fight.

Check out Patagonia’s This Is Bears Ears campaign and Luke’s story: http://bearsears.patagonia.com/sport/trail-run-gods

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